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His style is defined by emotional rawness and technical versatility, ranging from the smooth, masked figures of the 90s to the chaotic, calligraphic brushstrokes of his later landscapes.
The masks symbolize the concealment of true emotions and the social alienation experienced during China's rapid urbanization.
In his abstract landscapes, he utilizes "luanbi" (chaotic strokes), a technique rooted in the spirit of Chinese calligraphy and Song Dynasty landscape painting.
These early works display a visceral expressionism, focusing on the physical and psychological vulnerability of the human body.
Yes, he was the first living artist to have a solo exhibition at the Louvre Museum in Paris, placing his work in direct dialogue with classical history.
He successfully bridges the gap between Western Expressionism and Eastern philosophy, creating a unique visual language that documents the psychological shift of an era.
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