Art Trader Expertise
Collector Knowledge Base
Lee Ufan is the founder of Mono-ha ("School of Things"), a Japanese movement from the late 1960s that emphasizes the relationship between natural and industrial materials.
Yes, he is a key figure connecting the Japanese Mono-ha movement with the Korean Dansaekhwa (Monochrome Painting) school, influencing generations of Korean artists.
It is his most famous recent series, featuring one or two broad, gradient brushstrokes on a large white canvas, symbolizing the resonance between the painted and the unpainted.
In his "Relatum" series, the steel represents modern industry and the stone represents nature; their juxtaposition creates a philosophical conversation about time and space.
Absolutely. As one of the few living artists with his own dedicated museum (Lee Ufan Museum) and a foundation in Arles, his legacy is institutionally secure, making him a "Blue Chip" asset.
His work is collected by the Tate Modern, MoMA, Centre Pompidou, M+ Museum, and the Guggenheim.
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