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Izumi Kato is a Japanese contemporary artist known for his depictions of mysterious, primitive-looking figures that evoke the spirits of nature and human ancestry.
Kato rarely uses paintbrushes. He prefers to paint directly with his hands and fingers (finger painting), believing this method transfers his energy and intuition directly into the artwork.
His figures are not portraits of specific people. They represent a universal, primordial human form—genderless and ageless—acting as vessels for the soul and connecting to the spiritual world.
Born in Shimane, arguably the heart of ancient Japanese Shinto mythology, his work is heavily influenced by "animism" (the belief that everything has a spirit) and the raw power of nature.
He works with wood, stone, soft vinyl, and textiles. He often leaves the natural texture of the wood or stone visible to respect the material's inherent life.
He gained global attention after the 2007 Venice Biennale. He has since exhibited at the Centre Pompidou-Metz (France), Red Brick Art Museum (Beijing), and Hara Museum (Tokyo).
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