Art Trader Expertise
Collector Knowledge Base
Yes. Following her massive success at the Venice Biennale and Mori Art Museum, her market has seen a steady upward trajectory, driven by heavy institutional collecting.
The "State of Being" series (box sculptures with keys, dresses, or books wrapped in thread) are the most sought-after assets in the secondary market.
Red represents human connections and bloodlines, while black symbolizes the vastness of the universe, night, and silence.
Yes. She is an "Institutional Blue-chip," meaning her value is primarily underpinned by global museum prestige rather than just market speculation.
Her works are in permanent collections of the Smithsonian, The National Museum of Art (Osaka), and K21 (Düsseldorf).
The intense manual labor required to weave her thread sculptures limits her annual production, creating a natural scarcity that drives demand.
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